Botticellis

Botticellis

Inspired By The Very Impulse That Pumps And Pumps

Apr 24, 2008

Words by Sean Moeller // Illustration by Johnnie Cluney // Sound Engineering by Patrick Stolley and Shawn Biggs

The Botticellis, a group of stout Californians who prefer everything a record and a needle can express in a revolution to digitized plastic talkings, expound upon the more natural expressions and reactions that can be triggered with a tiny piece of golden music. A classic is a classic the first time you hear it and that's a relative thing for everyone, sure, but how many different arrangements of notes and words and tune can make you choke or melt at the knees? It's a big number and it's mystifying how music and its smaller granule - the song - can climb into us and assume all control with such lightning speed that we never even felt the tiny feet and nails clamoring over our skin to get to those tender ears.

When bands of an extraterrestrial caliber - those bands that are widely recognized as genius beyond realistic proportions (you know, The Beatles, Brian Wilson, The Ramones, The Band, The Byrds, The Zombies…) set their minds to making a song, the results were dashing and thrilling to the point that they caused speech impediments. There are plenty of gruff and judgmental baby boomers who don't have any records in their collections pressed after the 70s ended and they hang onto the belief that all of the best music has been done - that it reached its pinnacle when they were growing up through it and then it ended. They would find some way to validate Herman's Hermits as essential and Pavement as laughing stock, nutty as that would be. The Botticellis find so much of those precious early years of rock and roll to serve the same purpose for them, but they've gone about fielding the question of, "What does it take to re-invent what we already love?" on their debut full-length, "Old Home Movies, a reverbed out delight that should only come to your hands in a yellowed out and cracked jacket, on vinyl and smelling like old athletic sneakers and Topps baseball cards/bubble gum sticks.

The question that Botticellis ask and respond to is difficult and vexing because inevitably, the way that it will play out tends to always lean toward the iffy or awful, but the music that Alexi Glickman, Burton Li, Zack Ehrlich, Ian Nansen and Blythe Foster wind up making is blissful and you'd like to indulge in it sinfully, like swan-diving into warm lake of caramel. The toughest thing that's asked when attempting such a daunting thing such as this is confronting such an uncertain fable as "there's nothing left to do but to regurgitate and re-trace the already thick outlines." It's like going up to the bordering wall that surrounds Graceland and trying to fit your signature and a meaningful message onto the rock. It's pointless and yet, if it's poignant and special enough, it could be pointed out and acknowledged, gradually made into a sight worth seeing amongst the broader picture. It's a note unto itself, mostly, is how every song that comes from another should be considered and The Botticellis - with their fanning harmonies and spectacular usage of what sounds to be the packaged air of a million days of sweater weather and sweet embraces - write what come off as long, hand-written notes that one decides to save in a box under a bed forever and forever. They are lasting moments and epitomize the very otherworldly impulses that will make a toe tap, will make a person's vision blur slightly into a hypnotic gauze for three or four minutes at a time, will make a baby - who knows absolutely nothing about music or what he or she likes yet - decide to move a little bit closer to the speakers and start bobbing along to whatever it's hearing, will make you stop suddenly and silently in your tracks just to hear it out. Old Home Movies, with phantom kisses and bygone ghosts of yesteryear jumping out of the binding, is a sung benediction to great songs had and great songs yet to come, a rare and blindly first offering.

Click here to visit Botticellis' myspace page.
Antenna Farm Records

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  • Actually, the George Harrison Cover is Awaiting on You All. From All Things Must Pass I believe.

    brockadoodledoo | Saturday, March 28, 2009 | 8:18 pm

  • Actually, the George Harrison Cover is Awaiting on You All. From All Things Must Pass I believe.

    brockadoodledoo | Saturday, March 28, 2009 | 8:18 pm

  • i’ve been waiting for this one…what a great session, thank you.

    Tes1 | Thursday, April 24, 2008 | 5:30 pm

  • not that im complaining but i would enjoy this session more if the vocals were a bit more front and center. they are a bit lost in the mix.

    dedge1 | Thursday, April 24, 2008 | 2:42 pm

  • Very nice! I commend you for your recording wizardry and The Botticellis for their songwriting wizardry.

    Andy | Thursday, April 24, 2008 | 1:46 pm

Songs by Botticellis

  1. first song

    Welcome to Daytrotter

  2. second song

    Awaiting On You All

    Download Botticellis playing Awaiting On You All

    - original version appears on Old Home MoviesWe fell in love with the Vox continental during tracking. Sadly, I had to bid a fond farewell to my Farfisa and trade it for an old Vox. Who can afford to maintain two vintage transistor organs these days?Lyrics: this time I'm taking the long way home you can't tell me where my mind's allowed to go you want to know every stranger here you can't tell me where my mind's allowed to go it's not Alaska without the snow I told you to wait in the cold you wait too long this fall you took there's nothing to explain you know I'll let you off again it's not Alaska without the snow it told you to wait in the cold you wait too long

  3. third song

    Old Home Movies

    Download Botticellis playing Old Home Movies

    - original version appears on Old Home MoviesBlythe and I wrote this while she was still in grad school in New York (Columbia). She lived in a pretty sketchy neighborhood. The building was a mess. All we heard all night were the rodents scratching in the walls. To get back at them, we wrote a waltz on her accordion. It was originally supposed to be for our side project (Kuma/Koshka) but I played it for Jason Quever (Papercuts) when he was helping to mix and he thought it had be on the Botticellis' record. We tracked it that same day. I played the twelve string & Jason's Hammond and he played drums.Lyrics: I stole your flashlight to dissuade you still go out I know while I fall asleep with your clothes when you were young dear people could take it out in the wings they watch how the lights go deep in your face writing it out on the sidewalk crossing the streets with your name all of those pictures on the wall what makes them fall I stole your flashlight

  4. fourth song

    Flashlight

    Download Botticellis playing Flashlight

    - original version appears on Old Home MoviesA friend of ours was struggling with mental illness and we had a pretty scary encounter with her one night that ended with her in the emergency room. We wrote this as a way to understand what she was trying to tell us about how she felt. Our old friend Ian Mann wrote the vocal intro in the style of Brian Wilson, but placed in such a different context, instead of sounding sunny and upbeat I think it sounds really haunting.Lyrics: when I call how will you know if I call how will you know I saw the list of numbers you need to take the one I'm thinking of when I call we're stuck inside the clock I wanted you to know I'm awake when I call days are running out signs from underground others they can't hear it they're sleeping through the sound

  5. fifth song

    When I Call

    Download Botticellis playing When I Call

    - unreleasedGeorge Harrison cover This is the song that we were listening to over and over again during mixing not only did it have something of the sound we were going for, but it had this really uplifting, spiritual vibe that helped keep us sane during those dark, dark days of mixing.

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