Crooked Fingers

Crooked Fingers

Old Souls Bare Naked

Dec 17, 2008

Words by Sean Moeller // Illustration by Johnnie Cluney // Sound engineering by Mike Gentry

The woman on the cover of the latest Crooked Fingers album is buck naked except for a rubber mask of an elephant with a pair of short tusks and a trunk curled upward like an upside-down letter jay. She has what can be imagined as red-colored toenails in the black-and-white photograph and a hand out-stretched at 45 degrees to the sky as if she were helping the buck naked man with the rubber hog mask on hang an imaginary, black-and-white cluster of mistletoe. There's another cluster of bush and a pair of somewhat glossed breasts arched out in pose. The man in the pig mask is bronzed up, with the toes of a swimmer.

His torso is bony and fit and his pecker hangs like a limp noodle in a lake of black pubes. These two individuals, it might be fair to say, would have never agreed to this photo shoot or to being so unclothed on the cover of an album jacket had they not had those masks. It's only for the artsy-ness and for the anonymity that they're there, bare in their skin and musculature - four nipples pricked out in the cold air and all of the stressed points on the bodies accentuated by shadows and utilized tendons and flexors. For the right money, this could be a non-point, but this is indie rock, so it wasn't for the money. They could be proud perhaps without those masks covering their faces, even as the parts that make everyone blush some time or another, but mostly because they have what seems to be time on their sides. They have not been able to age in all the wrong places yet, to sag in the arms, the jowls, the breasts and in the ass. The varicose veins haven't begun to snake in around the knees and down to the calves. The ships are still running fairly normally, keeping taut and not getting brittle in the seams.

These are still the salad days for the two naked bodies on the cover of Forfeit/Fortune and despite the obvious nod to Fleetwood Mac's self-titled album cover and an eerie coincidence in the new Deerhoof album's cover, Crooked Fingers lead man Eric Bachmann had to have intended so much more because he's the kind of guy who intends more that one would initially presume. Bachmann, the tall man who looks a shade like Justin Vernon of Bon Iver had the young cabin dweller been born 10 years ago, was visiting two months ago and contemplating a move - to somewhere else, to anywhere else. Love had led him astray again and he needed some new scenery. He was considering somewhere out of the country, but he'd determined nothing at that point and was just mulling his unlimited options.

He was cool and still had his southern accent hanging on tightly like a birthmark, though there was a deeper man (yes, deeper still) just below that surface that seems to come out in his ever-evolving music. His are the thoughts of a man who's been through the brambles and had the tears of his shirt sleeves and pant legs go all the way through to the skin and that typically stings like a bitch. Some of those gashes may have even called for stitches. It's interesting how now would be the time to bring a Paris Hilton quote into the essay from the latest Esquire magazine, where she says, "You may not be able to be hot when you're seventy-five in a conventional sense. Like, young people won't think you're hot. But your husband will, and so will people your own age." It doesn't seem so out of place in describing Bachmann's protagonists and the cover models of his album as they exist in a time period that is wholly felt, but the insecurities of grandeur and delusion, broken down muscles, wrinkle lines, receding hairlines, love's lasting scar tissue warrant the unpleasantness of closer inspection. Being the same old as you were young is only a mind trick, not a real option. He sings, "Come on feel the modern dislocation," as it's an infringement not just oddly, but internally, causing men to pretend and people to shut themselves off a little bit, be traces of their former selves. To be old and wise and naked or old and confused and naked, or at least feeling either of those ways often, is what Crooked Fingers does properly and with such striking strokes of that seasoned Bachmann dust.

Crooked Fingers Official Site

  • share on facebook
  • digg this
  • seed newsvine
  • delicious bookmarks
  • seed magnolia
  • spain frightened you.

    banjoray | Saturday, March 28, 2009 | 2:42 pm

  • I like these songs better with this arrangement.

    Jeremy Foltz1 | Saturday, December 20, 2008 | 10:57 am

Songs by Crooked Fingers

  1. first song

    Welcome to Daytrotter

  2. second song

    What Never Comes

    Download Crooked Fingers playing What Never Comes

    - original version appears on Forfeit/FortuneThe original version of this was just an acoustic guitar and a vocal, and I initially wanted to keep it stripped down. I had just made a record that was fairly stripped down, though, so I thought I would build a big arrangement just to see what it would sound like. The version on the album is the bigger arrangement: an attempt at taking saxophone cliche and putting it into a different context so that the cliche could perhaps mean something instead of the cliche. On this live version I tried to exchange the song's horn pulse with metered tremolo... Everything different all of the time...

  3. third song

    Crowned in Chrome

    Download Crooked Fingers playing Crowned in Chrome

    - original version appears on Crooked FingersI found this one after losing a lot of money at a casino. I was with a friend driving back to North Carolina from the west coast. We stopped in Vegas to celebrate his birthday. We were there for only six hours or so... plenty of time to piss some money away. As we drove out of Nevada that night he fell asleep in the back of my truck while I distracted myself from my financial loss by writing these lyrics.

  4. fourth song

    Islero

    Download Crooked Fingers playing Islero

    - original version appears on Dignity and ShameViolin takes the lead here instead of a trumpet, which is on the album version. It makes it sound less like a Miura bull and more like a snake...

  5. fifth song

    Luisa's Bones

    Download Crooked Fingers playing Luisa's Bones

    - original version appears on Forfeit/FortuneLuisa is a ghost. When she was alive she was a beautiful, elegant and loyal woman. Her lover and his new lover are visited by her often as they had her killed so they could be together. Luisa's ghost is going to kill them eventually... Luisa's old lover and his lover think that if they dig up Luisa's grave and throw her bones into the river, the bones will wash out to sea and this will absolve them from their sin... this is one possible scenario...

| Privacy Policy
For information about Advertising, contact our
Copyright © 2009 Daytrotter, LLC. All rights reserved.

All songs posted at daytrotter.com are the exclusive property of the respective recording artists and Daytrotter. Please do not post these songs on other websites unless you use our embed feature. We encourage you to link directly to the session page for a particular band or artist’s session.

Subscribe to our newsletter: do it
Contact Us
Syndication FeedRSS