Roadside Graves
A Wish To Be A Good Man Fulfilled
Jan 8, 2010
Words by Sean Moeller
Illustration by Johnnie Cluney
Sound engineering by Mike Gentry
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Welcome to Daytrotter
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Liv Tyler
unreleased
If you are listening right now to our session, I just want to thank Sean and Daytrotter for having us in such great musical company. We were at the tail end of our small and humble summer tour and Sean set us up with this session and a show in a barn! We wrote this song on tour after listening to Rich explain that Liv Tyler had two fathers (Steven Tyler and Todd Rundgren). He ended the conversation with, "No one knows whose baby she is." It's truly a song for anyone in a relationship, you have to wonder sometimes who is this person next to me. I mean I met my wife on a dance floor in Atlantic City while she was smoking a cigar and now I make her coffee every morning. The title may seem dumb at first but I think we're hoping that someday Liv and Alicia Silverstone will play this song the next time they skip out on Catholic school and drive to Hollywood.
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Ruby
original version appears on My Son's Home
Our tribute and prequel to the old country standard, "Ruby (Don't Take Your Love to Town)" attempts to answer the question no one was really asking: What went wrong in this relationship? We were slightly criticized in Pitchfork, "The women you meet in these songs are going to have names like Ruby and Delia that nobody under the age of 80 actually owns anymore." It would seem strange to change her name, maybe Amber? I had a seventh grade girlfriend who used to ask me to come to her house after her grandmother fell asleep. She would crank the TV with her grandmother less than a foot away and we would just make out and touch each other. She always wore pin stripped baseball pajamas. This version has garage can hits and our new "keyboarder." Jeremy and I also lovingly snuck in Bee Gees lyrics at the end of the song. If you have some spare time seek out the Bee Gees "To Whom it May Concern," especially the chaotic "Paper Mache, Cabbages & Kings" song which ends with, "Jimmy had a bomb and the bomb went bang, Jimmy was everywhere."
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To The Sea
original version appears on My Son's Home
Springsteen's characters have to drive to the Ocean, which isn't too far if you are in New Jersey, to make peace with their demons. My characters need to drive to the Pacific Ocean, hop on a boat, and jump.
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Valley
original version appears on My Son's Home
This version is the way we originally wrote the song. We were fortunate enough to play a bizarre show in LA this summer in which we were asked to play in the crowd before the headlining band. That day we walked our instruments to Echo Park and practiced for the joggers. This is what you would have heard if you were in the crowd waiting for the real band to begin. "Valley" could be the most optimistic song on our record, "My Son's Home." Drinking in the afternoon and worrying about paint colors isn't such a bad life after all.
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Far And Wide
original version appears on My Son's Home
Our folk song about Heaven and Hell. I think Leonard Cohen has about forty verses for Hallelujah to choose from, I have one extra verse and I managed to slide it in this version. Now there are cows and mice in the song. I think I prefer this take to the one on the record. It moves. I don't have a sister, but she appears frequently in our songs. I always wanted something or someone to care for, to protect. When I was young I imagined the gigantic ceiling chandeliers in church would fall and I would jump in front and save my family while the rest died. Depending on the verse the far and wide can be a place or quite simply the distance you need to take yourself or your family from harm.
The other day, in the Los Angeles Times, an article was printed about the possessions of the dead in LA County. For those people who are without any heirs or a will, who have died as close to alone as anyone can really get, all of their worldly things are assumed by the county and auctioned with the money raised used to pay for a proper burial. If the sum of the possessions/assets come up short of that cost, the deceased is cremated and the ashes are deposited, along with the ashes of others of the like - those who have outlived their kin, spouses, friends and progeny or maybe never really lived fully - in a sort of mass grave, forever mingled in uncertainty along with hundreds of other forgotten souls, nameless and faceless again. It's a fate that falls on many. It's a sad thing, but one that's ultimately so often out of our hands - our longevity and the longevity of others. That, along with the willingness of others to love us, the ability for us to warrant such love, such kinship is a mysterious fabric. It's woven over time and it can become unraveled quickly, but it's when it stays intact that everything seems different. It's the threat and the possibility that we can remain in control of our fates, our loves and the closeness that we have with and feel toward others that New Jersey band Roadside Graves is mesmerized by. It's as if the greatest challenge in the world, according to this electric and vibrant group of skuzzy, country rock loving gentlemen, is to maintain all of the love that you've ever earned and keep it close to the chest, reflecting on it and admiring it in its simplicity and through all of its complications. Do that and you'll be a rich man. Do that and you'll be a man who never has to worry about any unfortunate circumstances that could lead to being forgotten or leading to a nothingness in death - where we're just gone, gone, gone and all traces of our touch are blurred out. It seems like it's a fear for Roadside Graves lead singer John Gleason, a stiff-necked sparkplug of a man with a haggard voice of a guy twice his age, has in abundance. He stakes out with his lyrics to make an identity for this band as one that cherishes brotherhood and would love nothing more than to have you - stranger - pull up a chair next to them and help them finish off these pitchers of draft beer that aren't going to stop coming to the table until the tavern is shut down for the evening. It's a band that takes cues and inspiration from the majesties of Mother Nature and the intricate combinations of love that can form between two people, groups of people and their surroundings and life. Inside Gleason's words are such magical thoughts and images of normal people doing extraordinary things, even if they aren't ever going to make the news, even if they're remembered by that one other person. It's those acts - those tiny ones that speak the loudest and most intimate volumes that he and the band care the most about. They may be the most important actions that ever could be. The band's latest full-length, "My Son's Home," is a piece of American music that's not all that familiar, not all that prevalent. It's pure and honest, the work of a handful of young men who seem to know how they'd like to be remembered by all of the people who have ever known them and by those that they've had just the smallest amount of contact with. They lie there in the green grass. They gaze at the purpled mountains in the distance, towering above them and they listen closely as those they care about tell them their secrets, cry on their shoulders and experience pain and joy. It's all a part of what they live for and will live for until they can't live any longer. It's then when they'll know if they won or lost - when they've always got freshly cut flowers blanketing the tops of their graves.
Roadside Graves Official Site
Autumn Tone Records
