certified kick-ass
 

Tyler Ramsey

Tyler Ramsey

For Us, A Morning, Made Into A Day, Softly

Aug 15, 2008

Words by Sean Moeller
Illustration by Johnnie Cluney
Sound engineering by Patrick Stolley

  1.  
    Welcome to Daytrotter
  2.  
    Long Dream original version appears on A Long Dream About Swimming Across The Sea I played one of the many nice guitars that are in the amazing Daytrotter studio. This was a classical and I can't remember what kind. I think since I wrote this song it has gotten more and more sparse. Also, the capo has moved so high up the neck that it is absurd.
  3.  
    Please Stop Time original version appears on A Long Dream About Swimming Across The Sea I usually use an old clunky acetone rhythm ace drum machine on this song, which I carry with me for most shows. I think for the tour I was on when I came by Daytrotter I had tried to lighten my load by recording the beats onto a looper pedal. It sounded bad. Luckily Phil Pracht was there and played drums with me! Thanks Phil!
  4.  
    Ships original version appears on A Long Dream About Swimming Across The Sea I could be totally wrong, but I think I played a twelve-string on this song. The kid in the candy store took over and I was grabbing random guitars that were in the studio. I didn't have a twelve string of my own at the time but the next day I played in Louisville and ended up buying an old martin 12.
  5.  
    Birdwings original version appears on A Long Dream About Swimming Across The Sea This is an instrumental song that has some piano behind it on the record. Solo version.
  6.  
    No One Goes Out original version appears on A Long Dream About Swimming Across The Sea There was a nice old upright piano there so I ended up doing this song. It's one of the few songs on the record that was written on piano. I played piano before I ever picked up guitar and lately have been writing more songs on it.

My father had and still has a tired and often brushed off, canned response anytime someone makes a remark about it being too early in the morning to be awake, to do or not do anything. He would cook up a real wry smile, throw some sarcastic disdain onto his voice like reverb and say, "You call this early? The day's almost over. You missed the best part of it." This would happen at any time in a morning - be it 7 a.m., 10 a.m., earlier than that. He was smug in his perceived correctness, in his opinion and in someone's losing out.

He's always seemed to beat everyone to the punch, or at least he fancies that he's the superior being for all of the days he's accumulated during his lifetime where the sun hasn't come up and the "smart" people were still slumbering hard. Maybe the reason that I scoffed at his quip so often was because I didn't take to jokes that early in the morning and lightening up needs to eased into. Maybe it was only that I hadn't witnessed so many of these so-called mornings that were too much for the senses - when the dew was still smothered over everything like a suffocating, sugary glaze, a power-wash to get all the dirt off the things that everyone did to the world the previous day. The grass and gravel wakes up refreshed, is the way you could think about it. The gritty rooftops and the painted sides of buildings, the chickens, the oily parking lots, the dumpsters and the lakes all get a new try as they burn off that damp chilliness that the darkness settled upon them. There are big, every-fiber-feeling yawns all over the place, billowing out of all directions. These early mornings, when I've been forced to see them, have been sort of magnetic and even more majestic than imagined. They surpass their buzz and so, perhaps the old man's right.

Tyler Ramsey of North Carolina, though he lives on rock and roll time, likely is a great supporter of those break-through hours of the day, when there's an eclipse of attitudes going on while the doughnuts are being made, the newspapers are getting flopped onto porches and roosters are taking their first cups of java to get the pipes moving. The glue from the corners of Ramsey's eyes gets cleaned out with a hook of an index finger and the man - who by all standard looks and measures would be considered quite a tall one - shakes out the drowsy rust that attacks the second the head hits a pillow. He might do all of this prep work to get more active, to grab the day like a bull made of horns, but he loiters in the foyer that protects any part of the day from getting too carried away with itself. Where the whip-lashed spring of the toaster signifying a golden-browned slice of bread hopping to attention and where the stirring spoon in a hot cup bangs like a gong against some glass is where Ramsey governs, where he makes most of his important decisions, thinks his most enticing thoughts. He doesn't leave these early mornings the entire days. He just stays there, enjoying the truth in whispered beginnings, in gentle voiced men and women, anticipating better times or the resurgence of some of those olden good times that feel closest in those early morning compartments.

. His album, A Long Dream About Swimming Across The Sea, is a Loch Ness sort of creature: you don't see one very often, but it gives off the kind of vibrations that these chipper morning hours exude and even suggest the clearings that a fisherman in a small and silent rowboat could come upon as he paddled toward a virgin shore, before the deer had awoke to drink, before any sun had spilled over the trees and onto the sandy shore. He presents that kind of water that looks like a crystal countertop and bare-naked natural beauty in song form on this album, that he tours behind when he's not on the road as the newest member of Band of Horses. He writes songs about people that he seems to have lost touch with, people he misses and people that he'll love forever, no matter what else happens in the wilds. Most of these people fit into all three categories. They are the people who have evaporated and drifted into blurry visions of lapsing years and memories. They get looked upon longingly and spiritually. He asks one of them to help him please stop time and I'd argue that he does that all too regularly with this masterpiece of a record. What I'd humbly ask is that he never asks anyone to restart the time he's stopped. This is better.

Tyler Ramsey Official Site
Tyler Ramsey MySpace Page

Session Comments

Post a Comment
  1. Absolutely spectacular. phillymcg Tuesday, December 08, 2009 4:35 pm
  2. Tyler and I have known each other through both of our various incarnations. No matter what he's doing he takes his time. Even way back when, he was splitting time between Tyler Ramsey Trio gigs working the counter at Almost Blue Record Shop in Asheville, while doing hand cut linoleum letterpress... always taking his time, doing it well. That's Tyler's time stopping device. He crafts it slow and easy, the results are always nothing less than spectacular. Hope we meet again soon Tyler. Sean you must have created such a comfortable space for him because he performs these versions as if he never wants to leave... milking every verse & chord. Thank you for doing what you do, capturing the music and put it in writing so well. mandle Monday, August 31, 2009 6:40 pm
  3. Saw Tyler with Band of Horses. Birdwings baby. Great stuff. iriemon2469 Thursday, June 04, 2009 4:57 pm
  4. mmmm i already like this guy’s music and i haven’t even heard him start singing yet ha! hmd19871 Sunday, August 17, 2008 6:14 pm
 
 
Contact Us Privacy Policy Terms Of Use iPhone App About Daytrotter
All songs posted at daytrotter.com are the exclusive property of the respective recording artists at Daytrotter.
Please do not post these songs on other websites unless you use our embed feature. We encourage you to link directly to the session page for a particular band or artist’s session.
Copyright © 2010 Daytrotter, LLC. All rights reserved.